www.aacharee.com

EDUCATIONBachelor of Computer Science with a Minor in Music, Carnegie Mellon University Pittsburgh, PACore Musical Skills Certificate, The Juilliard School Evening Division New York, NY, 2016Master of Composition in Composition for Screen, The Royal College of Music London, UK, 2019BRBRBRBRBRBRFILM SCORING WORKSHOP SELECTIONS2016 ASCAPNYU Film Scoring Workshop In Memory Of Buddy Baker 2020 ASCAP Columbia University Film Scoring Workshop, Composer Spotlight

MiNY Post Alumni - Cycle 9

https:www.imdb.comnamenm1493453BR

Alma is a filmmaker and editor from the Mission District of San Francisco, CA now based in Queens, NY. Her background as in youth development through art for social justice is at the foundation of her ethics and artistic approach. She was trained as an assistant editor for Barbara Kopple’s Desert One TIFF ‘19 and has since worked as feature documentary editor. She was selected as an Adobe and Sundance sponsored Gloria Schoemann bilingual editors fellowship 2025, DOC NYC’s 40 under 40 2023 and has been recognized for her work as an editor on Selena y Los Dinos Sundance ‘25, All Up In The Biz Tribeca ‘23 and Louis Armstrong’s Black and Blues TIFF ‘22. In her directorial work her central question is: What are the rituals we create at the intersection of grief and joy? She deals with themes regarding belonging, culture and nature for queer people of color across the Americas. Her short fiction #LaGaybie 2023, about a queer coming of age story premiered at the Roxie in San Francisco through Cine+Mas Latino Film Festival and the Queer Women of Color Film Festival. She is currently expanding her craft as a director in a personal documentary “Reciprocity”.

Primarily looking for work as an Assistant Editor, Apprentice Editor, or Editor, preferably in narrative productions. My main experience has been in documentary and reality shows. I'm also available as a voice actor, director, and screenwriter!

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Currently working as Post Production Supervisor for Season 4 of the Netflix Series "The Diplomat."

Currently looking for work.

Post production assistant on White Noise and Pachinko S2, looking for an apprentice editor position.

https:www.arielcicero.com

Twice Emmy-nominated Producer Brad Carpenter was thrilled to get to work on FX’s “FosseVerdon,” 17 Emmy nominations, starring Michelle Williams and Sam Rockwell, with Executive Producers Thomas Kail, Stephen Levenson, Lin Manuel Miranda and Joel Fields. Brad’s recent work includes two seasons of Emmy Nominated "The Diplomat" for Netflix, Two seasons of “Tokyo Vice” for HBOMAX with Executive Producers Alan Poul & JT Rogers, and the heist-themed “Kaleidoscope” for Netflix. Brad is currently working on Season 4 of "The Diplomat."

Brian is a Post Production Supervisor and Consultant with over 20 years of experience across feature documentaries and long-form unscripted television. Grounded in commercial photography and an art school education in Chicago, that visual foundation has informed his work ever since. Credits span Sony Pictures Classics, Participant Media, A&E, MTV, Discovery ID, Cooking Channel, Animal Planet, WEtv, Food Network, and Thirteen.BRBRHe has a passion for social justice issues around equity, inclusion and representation.

www.fiveamfx.comWe specialize in but are not limited to, Visual Effects and CG for commercial, episodic tv programs and feature films using 2D3D techniques. Our platform is secure and can easily adapt to the project at hand.

I work part-time at CBS, editing highlight videos for football and college basketball.

MiNY Post Alumni - Cycle 9VFX Coordinator Certificate

I have been working in the film production and post production since 1984. BRBRBRBRBRBRBRBRBRBRBRBR

Linkedin: https:www.linkedin.cominchris-peterson-17b916

1st Assistant Editor- The Visitator Kevin James BR

Hello!BRBR

Editing Room Assistant with a track record in effectively managing projects under tight deadlines. Proficient with the Avid. Aspiring AE with Master the Workflow training Media organizer, troubleshooter, and reviewer of details. Experience communicating & collaborating with teammates across departments. Always learning and passionate about building scripted TV & film.BR

MiNY Cycle 20 Graduate

For the past 15 years I have worked on film and tv productions ranging from independent feature films to large tv show productions on Showtime, AppleTV and Amazon. I have edited seven feature films that have gone on to win awards at film festivals in London, Madrid, and New Orleans. As well as worked as an assistant editor and VFX Editor on Yellowstone, Dexter New Blood, The Crowded Room, and M. Night Shyamalan’s feature films Trap & Remain.

MediaMKRS Post Coordinator Training Spring 2023

Hello! I am AVID certified. I am happy to provide references upon request. I am proficient in Adobe Premiere, AVID, and more. My Junior Editor credits include social ads for Newell Creative Kitchen Mr. Coffee, Calphalon, Sharpie and my Assistant Editor credits include The Traitors: Reunion Special Peacock and AMCN WEtv and ALLBLK Promos Dept. Currently looking for Junior Editor or Assistant Editor work. Please reach out to me at david@bonderoff.com or visit my website www.davidbonderoff.com

Film & Theatre MFA graduate with an astute understanding of post-production processes and hardware, leading to consistency of clear communication, discretion, and tight time management needed to meet rigorous deadlines. Master’s in Fine Arts Film BR

IATSE Local 700

https:www.ericbigman.com

MINY Cycle 12

ABOUTBRBRIn parallel with his scoring work, Eric performs and releases music under the moniker Kennebec, a genre-defying cinematic chamber-folk ensemble serving as a creative laboratory for Eric’s most uninhibited ideas. Through Kennebec, he has collaborated with modern indie, jazz, pop, and classical luminaries including Samuel T. Herring Future Islands, Miguel Atwood-Ferguson, Sudan Archives, Yazz Ahmed, Alfa Mist, and Joe Armon-Jones. He has also shared stages with Arooj Aftab, Kevin Morby, Joep Beving, and Minus the Bear, and performed at festivals such as PDX Jazz and South by Southwest.BRBROutside the studio, he likes to spend his time hiking, collecting field recordings and testing new ways to make his partner Emily laugh. Recent favorites have included Pluribus, Clair Obscur, Lincoln in the Bardo and Paris: Texas.

I'm an editor and assistant editor with over seven years of experience in post production. I have worked as an editor and AE on scripted TV, web series, commercials, and short films. My primary focus is editing scripted comedy TV. I am technically advanced in Avid, Premiere, and Resolve. My website is www.evantmills.com

My personal photography website is: www.theneo-noir.com

www.fabienne-edits.com

francesca.elena.d@gmail.com

Warner Media Post Supervisor Grad 2022-Warner Media Post Coordinator Grad 2021

Shifting from post producing to sound editing - looking for assistant sound editor opportunities.

http://gsaudiopost.com services cover everything related to audio post production, including dialog and sound effect editing, mixing final soundtracks, repairing problematic audio, composing original music to picture, recording voice-over, and more. We tailor our services to your specific needs, and always deliver excellent results. Greg Smith is a two-time Emmy nominated sound designer and audio engineer with over 20 years of experience in the film and television industry. His work has been presented in theaters around the world, and in major film festivals, including Sundance, Tribeca, SXSW and others. His television credits include documentaries, specials, and series for HBO, PBS, A&E, ESPN, Netflix, to name a few. He has also produced audio work for installations showing in diverse institutions, such as the Whitney Biennial and the Liberty Bell Center in Philadelphia. Greg is also a classically trained composer and instrumentalist. He enjoys bringing the artistry learned through the study of music into the world of audio post production.

Post-production professional with experience across scripted, documentary, branded and commercialcontent. Skilled in managing editorial workflows, coordinating cross-functional teams, and buildingscalable post-production systems. Proven track record supporting high-volume pipelines for HBO,Hulu, Apple TV+, PBS and commercial clients.

MiNY Post PA Graduate, cycle 14

James Is a Picture Editor living in Brooklyn, NY and is repped by UTA. In 2025 he edited "Bunny" which premiered at SXSW and is now on Netflix. Prior he edited the film "Bruiser" for Hulu which premiered at TIFF and was nominated for a Spirit Award. He also edited episodes of B.J. Novak's FX on Hulu anthology show "The Premise." Other movies edited by James LeSage: "Graceland," "The Virtuoso" with Anthony Hopkins, and "Life Like." For TV he has also edited on "Mr. Robot" and "Godfather of Harlem."

www.HobokenPostLLC.com AES Member Education, DEI, and Atlanta Section Committee Member, SCAD Student Section Faculty AdviserMPSE Member Blue Ribbon JudgeNews and Doc Emmy Judge

Recent credits inclue:BRBRBRBRBRBR

Hello, I've been a Video Editor for various corporate companies over the past 10 years. I'm seeking opportunities to meet other professionals in the field and to grow as an editor. While I do not have an IMDB page below is a link to my reel. Thank you.BRBR

My current position as EP Business Development North America for Basilic Fly has me managing all stateside and Canadian client relationships, generating new business and helping facilitate all North American projects. My 30 years in NY post production editorial visual effects allows me to draw on my deep contacts to bring business.

I've been working in digital media as a video editor for the last few years portfolio linked below and am currently working on pivoting back to long formnarrative. I'm really excited for the opportunity to attend PNYA's workshopstalks to get more insight into working in post here, as well as hopefully getting to expand my network and meet more people in the community.BR

MPEG Local 700 Assistant EditorEditor Online Editor

Experienced in all aspects of Audio-Post-production

http:www.johnmdavis.com

I do not have an IMDB page as far as I can tell.Nevertheless I have done a lot of dialog and ADR recording and editing for various film and video projects, including recording ADR with Woody Harrelson for Sony Pictures last year (The Man From Toronto - currently on Netflix).I come from a musical background and have written, recorded and/or mixed music, dialog and FX for a number of film and video projects.I have a full-featured recording and audio editing studio set up in Beacon NY, adjoining Cinehub and J6 Media works, and have collaborated with PNYA member Ed Roy on a number of projects.You can learn more about me at my website:https://jongordon-music.com/

On Local 700 IER.

Contact me at jordanlindblad@mac.com

Www.jordanlross.com

MiNY Post Alumni - Cycle 9

Justin Joseph Hall is an award-winning, multilingual Director and Founder of Fourwind Films and Quatre-Vents. He’s worked as a lead creative on projects acquired by HBO and that received awards at The Emmys, TriBeCa Film Festival, & Brooklyn Film Festival.

Recent work includes Co-Producer of I LOVE YOU FOREVER, written and directed by Cazzie David & Elisa Kalani, Post Production Supervisor on FINESTKIND by Brian Helgeland, MABEL by Nicholas Ma, and FUNNY PAGES by Owen Kline, and Associate Producer of MONTANA STORY by David Siegal and Scott McGehee.

I am currently working as a post supervisor on The Four Seasons for Netflix.

I am a current Post Production Coordinator and Supervisor with a background in commercial VFX line-producing and music.

See also:https:pro-labs.imdb.comnamenm1444010?ref_=sch_intBR

http:www.libbyfab.tv

lisamelodia@gmail.com

I am an Assistant Editor with experience in both scripted and feature documentary projects. I have worked on feature films such as Juliet, Naked, and several series including Royal Pains, The Breaks, Marco Polo, The Red Road, and the Happy! pilot which has been picked up for a season on the Syfy Channel. I have experience working as a commercial assistant editor for The Harbor Picture Company as well. <BR><BR>Along with learning Avid Media Composer at The School of Visual Arts, I have edited for the production company Kaufman Films as well as for the documentary, Talent Has Hunger, by Oscar nominated director Josh Aronson. I have also worked as an Assistant Editor for documentary filmmakers Susanna Styron and Michelle Esrick.<BR><BR>My skill set includes the following:<BR><BR>-dailies <BR>-Script Sync <BR>-prepping editor's binders with progress reports, editor's logs, and lined scripts <BR>-cutting in VFX <BR>-turnovers <BR>-pulling and cutting in temp sound effects <BR>-pulling and cutting in stock footage<BR>-outputs <BR><BR>I have a genuine passion for editing, and my colleagues know me as an attentive, reliable crew member. References are available upon request. Please feel free to reach out.<BR><BR>Thanks!<BR><BR>-Lou

www.LouisRobertKing.com

Former VP, Worldwide Delivery with The Weinstein Company

Dynamic and seasoned Houdini Special Effects Artist with over 15+ years of experience in visual effects and animation. Adept at leveraging extensive industry knowledge to create compelling and innovative visuals for film, television, and gaming. Seeking to reinvigorate my career in a challenging job market by mastering key technical skills, particularly in Houdini Engine integration with Unreal Engine 5 and cutting-edge procedural workflows. Eager to contribute my background in storytelling and visual effects to forward-thinking teams, while also mentoring emerging talent, and fostering collaborative environments that amplify creativity.

Mark Lieberman would best describe himself by the word "creative". He is a multi-faceted artist who utilizes a wide variety of mediums to express his vision. Mark has a well-defined niche in the film industry as a Visual Effects Artist, which has granted him credits on many feature films, television series, and commercials. While he has a passion for the technical process of computer generated imagery, he feels that his true vision shines through compositions he produces as a Creative Director. ​​​​​​​

Mary Perrino is a Color Finishing Artist in New York City, with a decade of experience. Her goal on every piece is to provide creative look design that elevates, but doesn't overpower. Like Leonardo da Vinci's quote, "simplicity is the ultimate form of sophistication", Mary believes great color grading requires immense creativity, but also a sense of reservation. Her work is thoughtful and evocative, delicate and precise.

www.meaganrodriguez.com

VFX producer and post supervisor. Available as of May 1 2024

I will be relocating from Los Angeles to NY on the coming months.

Michael Noble is a New York-based editor who also has served as producer and writer on a number of projects. He provides a variety of content and services for networks like Discovery Channel, Science Channel, Animal Planet, IFC, SyFy Channel, USA Network, History Channel, Lifetime and many more. BRBRAfter gaining a wealth of experience in the documentary field, Michael was offered a position with Discovery Communications. He was a leader in creative for promotional content for some of the company’s highest-rated shows, as well as supervising editor on documentary series like the critically-acclaimed Planet Earth. His success in these endeavors led to him becoming supervisor of Discovery’s production center, a position he took on for half a decade.BRBR>

Recent Credits include:BRBRBRBRBRBRBRBRBRBRBR>

Currently based in LA, but planning relocation to NYC. To that end it was recommended by a colleague for me to join PNYA

MINY Cycle 18

Made In NY Post Production Graduate

I am a highly motivated, young professional, in pursuit of a career in which I can apply my knowledge and skills while following my passion for storytelling. I am currently working towards getting into offline editing but I am open to anything that will teach me more about the world of post production. I have a keen eye for detail and I am not afraid of hard work, but most of all I am very eager to take the next step in my career.

Freelance Film Editor with 8-years experience in post-production for both short and long-form narrative and documentary films. Graduate from Boston University with a B.S. in Film & Television Production. Additional experience with archival film restoration and developing public educational materials.

I have experience as re-recording mixer and dialogue editor for several independent short films which are not listed on IMDb, as well as my own films. If this is not sufficient experience for the Title section I am happy to amend, but I have many credits in the as engineer and mix technician.

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Founded by veteran voice actors Jason Harris and Peter Pamela Rose. The Looping Division specializes in Loop Group, ADR Voice Casting & Directing for Film and Television. Services include use of our broadcast quality voice over booth for temp, specifics, newscasts, etc.; spotting, casting (including edited MP3's), voice matching, languages, dialects, children & teens, contracts and consulting.

I graduated from NYU in December 2018 with a BFA in Film & TV. I'm passionate about post production, and I want to work towards ultimately becoming an editor. I was recently an assistant editor on the first three seasons of ELSBETH.

https:www.linkedin.compubrebekah-hernandez962862bb

Experienced Post Producer with an extensive background in Production Management, Visual Effects, Animation, & overall Post Supervision. Demonstrated ability to work independently managing multiple projects under tight deadlines while ensuring quality, timeliness and functionality.<BR><BR>• Recognized for organizational capabilities and strength in managing creative teams with deadline driven objectives.<BR><BR>• Extensive background and technical understanding of feature film and television post production practices, digital workflows, visual effects, CG production pipelines, and distribution elements.<BR><BR>• Collaborative, solution-oriented and committed to maintaining clarity of information and good channels of communication to ensure project is executed to the highest standard, on schedule, and within budget.<BR><BR><BR>Projects include:<BR><BR>Impulse - Pilot - Post Associate Producer<BR>Director: Doug Liman<BR><BR>The Comedian - Post Production Supervisor<BR>Director: Taylor Hackford<BR><BR>Zoolander 2 - Post Production Coordinator<BR>Director: Ben Stiller. Producers: Red Hour Films & Paramount Pictures<BR><BR>Norman Lear: Just Another Version of You - Post Production Supervisor <BR>Directors: Heidi Ewing and Rachel Grady<BR><BR>Michael Moore in Trumpland - Post Production Supervisor<BR>Director: Michael Moore<BR><BR>Where To Invade Next - Post Production Supervisor<BR>Director: Michael Moore. Producers: Tia Lessin & Carl Deal<BR><BR>American Ultra - Visual Effects Producer<BR>Director: Nima Nourizadeh. Producer: Anthony Bregman<BR><BR>Beasts of No Nation - Post Producer: DI & Picture Finishing at Company 3/Deluxe <BR>Director & DP: Cary Fukunaga. Producer: Riva Marker<BR><BR>The Diary of a Teenage Girl - Post Producer: DI & Picture Finishing at Company 3/Deluxe <BR>Director: Marielle Heller. DP: Brandon Trost. Producer: Madeline Samit<BR><BR>Rosewater - Post Producer: DI & Picture Finishing at Company 3/Deluxe <BR>Director: Jon Stewart. DP: Bobby Bukowski. Producer: Scott Rudin<BR><BR>Meadowland - Post Producer: DI & Picture Finishing at Company 3/Deluxe <BR>Director & DP: Reed Morano. Producer: Margo Hand<BR><BR>Begin Again - Post Producer: DI & Picture Finishing at Company 3/Deluxe <BR>Director: John Carney. DP: Yaron Orbach. Producer: Anthony Bregman<BR><BR>Twelve Years A Slave - Post Producer: DI & Picture Finishing at Company 3/Deluxe <BR>Director: Steve McQueen. DP: Sean Bobbitt. Producer: Anthony Katagas<BR><BR>Every Secret Thing - Post Producer: DI & Picture Finishing at Company 3/Deluxe <BR>Director: Amy Berg. DP: Rob Hardy. Producer: Anthony Bregman<BR><BR>American Hustle - Post Producer: Dailies at Company 3/Deluxe<BR>Director: David O Russell. DP: Linus Sandgren. Producer: Mark Kamine<BR><BR>True Story - Post Producer: Dailies at Company 3/Deluxe<BR>Director: Rupert Goold. DP: Masanobu Takayanagi. Producer: Anthony Katagas<BR><BR>Ain’t Them Bodies Saints - Post Producer: DI & Picture Finishing at Harbor Picture Company <BR>Director: David Lowery. DP: Bradford Young. Producer: Jay Van Hoy<BR><BR>Admission - Post Producer: DI & Picture Finishing at Harbor Picture Company <BR>Director: Paul Weitz. DP: Declan Quinn. Producer: Paul Weitz<BR><BR>The Reluctant Fundamentalist - Post Producer: DI & Picture Finishing at Harbor Picture Company <BR>Director: Mira Nair. DP: Declan Quinn. Producer: Lydia Dean Pilcher<BR><BR>Fitzgerald Family Christmas - Post Producer: DI & Picture Finishing at Harbor Picture Company <BR>Director: Edward Burns. DP: William Rexer. Producer: Ed Burns<BR><BR>Beyonce: Life is But A Dream - Post Producer: DI & Picture Finishing at Harbor Picture Company <BR>Director: Ed Burke. DP: Ed Burke. Producer: Bill Kirstein<BR><BR><BR>Thank you

Recent Credits Include:BRBRBRBRBRBRBRBR>

-IATSE Local 700

I am a New York City based Editor and Assistant Editor looking for work on narrative films.

www.setheanderson.comBR

Shane McKean is a post-production coordinator and supervisor with experience since 2014, specializing in comedy, drama, and crime genres. He has contributed to notable projects such as Godfather of Harlem 2021–2025 and Better Things 2017, working with prominent companies like ABC Signature, Deedle-Dee Productions, and 3 Arts Entertainment. Shane's credits also include Black-ish 2015–2017 and Space Force 2020. He is currently preparing to relocate to New York City, where he aims to continue working in post-production for scripted television. His expertise in post-production processes has made him a valuable asset in the television industry.

Former facility manager for c5, Inc. Extensive knowledge of Local 700 contracts and post production sound budgeting.

Hi! I’m available for workprojects and looking for new opportunities. Primarily seeking feature film post supervision my usual with a remote or hybrid arrangement. Also available for other mediatechnology projects & team creative tech management roles. We’re mid-Atlantic Virginia based, so ideal would be NYC, Atlanta, Nashville, Chicago, Montreal, or Toronto for hybrid love this, or any location for fully remote just did one. I can travel almost anywhere on a day’s notice and work locally or at the studiooffices whenever needed. Appreciate your consideration for any opportunities you may have or hear about. Contact info, CV and IMDB links in comments below. Wishing you all the best and a great 2025 ahead! :

MINY Cycle 8Warner Discovery Post Production Training Grad 2026

Currently working on a new endeavor to bring more work to WNY. Co-developed and produced an 8 episode series "Concert for Home Town Heroes" live music show for local charities that aired on WBBZ-TV in Western NY.

Chapman University: MFA in Film EditingTruman State University: BA in English, Comp Sci Minor

US Navy Veteran, Fordham University Graduate, AE on "The Bear" S02

I'm a 10+ year experienced Advertisement/Political/Corporate editor and motion graphic animator looking to move into the scripted world.

I am a union assistant editor working mainly in Scripted TV.

Moving to New York next month from LA. I just finished 5+ years working on the last two Avatar films and the Billie Eilish concert film with James Cameron’s production company.

Here are my Linkedin & StaffMeUp pages for more detailed credits:BRBRStaffMeUp: http://staffmeup.com/profile/zaida?ne=1BR>